Nine Stories by J.D. Salinger, the adult life
Last night I went to eat dinner at Donovan’s Pub which is rumored to have the best old-school burger in Queens, NY. Good burger. Heinous time. My extended family got obnoxiously drunk and I watched the waiters and busboys deal with a gaggle of drunken Harris’ in horror @ my pending adult life. This was all in preparation for a Billy Joel concert***, the results of which I can capture for you in a conversation between my mom and dad:
dad: why did you have to get so drunk?
mom: i wasn’t drunk
dad: then why were you hugging the security guard?
After dinner, I met some friends at Bourbon Street NYC for 50 cent drafts, which were not actually drafts, but cans of Coors Light, which I guess doesn’t warm as quickly as drafts, but at least they were still 50 cents. On the train I started rereading J.D. Salinger’s Nine Stories, a book that was given to me by my fiction professor Tom Bailey, when I was a freshman at Susquehanna University & making fine but vain attempts at writing fiction. He gave me the copy because he said he had two. Inside one Elyse Upbin had signed her name into the corner cover, and also drew a heart with her and Roger’s name in it. Apparently Bailey has no qualms about giving Elyse’s property away.
I tried to take a picture but my camera is to low-tech to get real up-close and capture the essence of Elyse’s love:
I’m giving a lot of the plot away here:
Man did my ears go red for “A Perfect Day for Bananafish,” and less-admittedly-so for “Uncle Wiggily in Connecticut.” “Bananafish” was just so creepy and pedophiliac there’s no way I couldn’t have liked it, especially after the loon of a husband blows his brains out in the same room as his sleeping wife like he just couldn’t wait to walk the extra 15 feet to the bathroom. I stared out the window of the train after reading it, and I kept thinking of the moment in the water at the beach where he kisses the little girl’s wet foot and then paddles her back to shore. Creepy indeed.
“Uncle Wiggly” for one has a strange name, and a similar well-to-do feel that most of Salinger’s fiction has. It’s Eloise (and isn’t Eloise a perfect name–the only Eloise I’ve ever known was a rich bitch) and Mary Jane sitting on the couch drinking martinis, ignoring the maid and talking about dry, failed marriages. And the wonderful lives they thought they would lead with wonderfully funny and intellectual husbands. It was all very scary in that post-graduate coming-to-terms-with-the-passage-of-time zippy doo kinda way. Anyway, the part that got me reeling in this story was the last line where Eloise says, after drunkenly ordering her young daughter around and stumble-bumping into inanimate objects, “‘I was a nice girl…wasn’t I?” After seeing my family drunk and arguing vehemently about kitchen backsplashes, it’s a wonder I didn’t foul the train with my half-digested 30lb cheeseburger I’d eaten only a while ago with all the future I was seeing.
On that note, Nine Stories is really one of those books that everyone should read and that most people have at least heard of, making it easier to bump it to the top of the ol’ list. Give it a read if you haven’t. Or give it a re-read; I liked it much more on the second go.
Lastly, I started reading “The American Scholar,” a speech/essay by Ralph Waldo Emerson, which was in a textbook that I’m thinking of choosing for a Rhetoric class I have to teach so that my time at Iowa doesn’t wind up costing me. This excerpt was swell:
“The one thing in the world, of value, is the active soul. This every man is entitled to; this every man contains within him, although, in almost all men, obstructed, and as yet unborn. The soul active sees absolute truth; and utters truth, or creates… man hopes: genius creates.”
Anything gets me in a good mood if it implies poetry has a point!
***ps: for those of you who for some reason stumbled upon this blog looking for the guest appearances at the Billy Joel concert, they were Tony Bennett and John Mellencamp. lolz
This entry was posted on July 18, 2008 at 2:22 am and is filed under literature with tags 50 cent drafts, donovan's pub, fiction, jd salinger, literature, nine stories jd salinger, old drunk people at billy joel concert, ralph waldo emerson, the american scholar. You can follow any responses to this entry through the RSS 2.0 feed You can leave a response, or trackback from your own site.

July 18, 2008 at 4:53 am
Yup. Salinger is greatness. I too love “Bananafish.” The two juxtaposed scenes really help highlight the themes. I never read it as pedophilia though. I thought he was unable to exist in the world his wife and mother exist in–hotels, money, the superficial. His time in the war had destroyed his mind and his will to live in that world, so he retreats to one of imagination and innocence, of which the young child is emblematic. The young girl, like the sea, is a floating symbol of youth, innocence and beauty that he, Seymour, fought to protect and “loves” in a platonic way.
I dunno. That was my take.
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July 18, 2008 at 6:12 am
i suppose i meant to say that as one reads the story, especially for the first time, there is a lick of foreboding with concern to pedophilia. now that i’ve read it again i was able to say with certainty that nothing passed between the child and Seymour, but that it is a tension that drives the reader to keep reading. i think Salinger made good on the end, though, by not giving in. and i loved the wet-footed kiss not because i thought it implied more intimate behavior but because of the beauty of the moment. i cant describe it any better, lest i would have in the blog. but thanks for the 2sents
July 19, 2008 at 1:41 pm
Hi! Thanks for stopping by to give book recommendations. I appreciate.